Saturday, February 28, 2009

Origins, Volume 10, No.2 (9)

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

On Meeting

Well ... it's true
I know you
your insides
speak to me
through words
uncareful
and trusting
yet it is only through
these words
exulting hallelujah!
I've found you
that I see you.

.... Is
that really you
is that who you are
sitting there
calmly dissecting ideas
becoming engorged on fact
face a stranger's?

Is that familiar mind
hiding behind that
sphinx-like head
those pale grey eyes
.... careful now
unlike the exuberance
of your written word?

Tell me
what does that strange
smile mean? and what
does the calmness
of those eyes envisage?
Can you see me
here behind this face?
Do my eyes refuse
to reflect
familiar words?

c. 1980 Rita Rosenfeld
published in Origins, June 1980

Origins, Volume 10, No.2 (8)

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Interlude

I offer you
hospitality
of a rare and
guileless intent.

Come to my house
and share with me
a splendid
a queenly repast

prepared by
my very own
porcelain hands.

This nutbrown duck
in my oven;
breathe its
rare invitation.

Friend: I
present myself
on a gleaming
silver salver.

And when you tooth
that crisphide morsel
...guard for slivers.

My Troybird
Odysseus bequeathed
antiques a painted decoy.

c. 1980 Rita Rosenfeld
published in Origins, June 1980

Origins, Volume 10, No.2 (7)

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Fires and Crucifixions
by Real Faucher
cover design by Rene Pilon
Samisdat publication
12 pages, $1, ordered from Real Faucher
82 Main Street North, Windsor, Quebec

This chapbook of poetry will not win any prizes for aesthetic appearance. Printed on white stock in red ink it bleeds words, lyrical or banal, onto the sparse pages. The printing job is rather a poor one, and the back-cover biographical details somewhat excessive and as usual with a Samisdat publication, an exercise in weary hyperbole. This collection is an uneven one and although the poems are Real Faucher's, the selection bespeaks the editorial hand of the publisher, not Faucher. I am able to speak with conviction, aware of the process of Samisdat publication.

One can divide the poems represented in the collection into two categories. the first half of this chapbook consists of superbly realized and crafted poetry. The second half appears to be only a half-hearted attempt at poetry; they are neither well-conceived nor well executed.

First to the excellent poems which comprise the first of the chapbook; Faucher is lyrical and metaphysical and sensuous; he is loving with his choice of images and words. His poem, 'All The Way' - "Turning toward the light/like a star toward its centre/burning rays blind his eyes/and the flame of intensity/scorches his flesh" ... likens man in his search for truth to a moth helplessly approaching a flame.

In 'Archaeologists' he questions the truth discovered: "They punctured the stone walls/and found humanoid skeletons/curled up/in question marks". He draws a parallel between all creatures of this earth seeking blind communion in ... 'From our Prisons': "...from his/prison aquarium he now looks out/from my captive world I now look in/and we stare at each other/across the ages/seeking understanding.' But he is at his best with this poem titled 'New Eden':

"Suddenly
each new day is no different
from the others past,
or the ones in my eyes,
and her naked body
is just that,
and a grey film seeps
into my awareness,
and her soft eyes calling me
are painful
like angry points of light
at night.

This is the torment of man
that he creates for himself
this is the agony of
Eden
and the bursting of the ripe apple
between the swollen lips."

This poem, evocative of the love between man and woman, is a study in flux. But behind the more familiar view of a painfully stale alliance is another, more subtle message of archaic biological bondage couched in biblical terms. There are a few other sensitive poems in this collection; some of which are comments on the intrusion of religion into the daily life of the Quebecois.

From the sublime to the absurd in ... 'Mother's Funeral', 'Father's Funeral', are two efforts having not even the saving grace of wit, nor a modicum of humour. They are prose pieces, totally without flair, and it seems to me, not worth the effort of reading them.

Likewise, several other poems fall into the trite category, and thereby reduce the power of this book.

In conclusion, while it's very well to assert that content is everything, one should be able to anticipate a pleasant layout and faultless spelling. The one word, 'cemetery', appears misspelled no less than three times. A cavil, but enough to disturb any poetic trance.

Still, I would recommend the collection. Faucher does write well. He has the ability often to couch his thoughts in fine poetic form. And despite all of the faults in this work, it is still a good start to a promising publishing career.

c. 1980 Rita Rosenfeld
published in Origins, June 1980

Friday, February 27, 2009

Mamashee, Issue No. 4, volume 4

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Gone Home

They have been cheated, the Hull Historical Society - or whoever it was that put up the memorial in Brebeuf Park. The robed figure stands with head held high, a rosary about its neck. Lifting dexter a cross, offering it to the spring air this ides-of-May day.

The woman stood below the memorial; the only one to whom Brebeuf now spoke his silent offerings. Holding sinister a paddle, its bottom resting on a portion of canoe, the front part of a canoe, all that was represented there. Cheated because, instead of turning a rich oxidized perspective, the figure has rusted, the materials of which it was fashioned base, like the greed of those who cheat.

Her neat head resting on her slight frame cocked toward the inscription. She read, fascinated by the history of the figure, familiar with its one-sidedness; hadn't she taught its orthodoxy after all, to her own impressionable students year after year?

Tortured by the Hurons, the story went, martyred by the Iroquois. An old story. Avenging their brothers, the other Amerindians, did they but know it, on the Conquistadors, Pissaro and Cortex, who joined Aztecs to the One True God.

Brebeuf, a seventeenth-Century Gothic tale of blind dedication to a concept of a being that never in fact existed. Their own beliefs, at one with nature, were false; only his was the way to God. Did they rip the living flesh from his body, and did his screams for mercy resound through the forest, through the centuries, through her head? The cries of seagulls.

The woman walked on.

Passing elderly people sitting on parch benches, leathery faces turned to the sun, wind whipping grey hair. Her own was fastened, a tight prisoner of dark brown threads, resting on the nape of her neck.

Seagulls cresting updrafts over the Ottawa River, their cries raucous, were ignored. A police cruiser drove slowly over the park's grass, looking incongruous there, two men inside leisurely looking to either side of the park. What for? Illegal drinking?

From the residences across the street, jangling noise whirled in the air, caught in the branches of the trees, assaulted her ears. Not music as she understood it. Growing louder as she approached a stand of Jack pine until finally as she walked abreast of the building, could see in the distance the contours of its stuccoed pseudo-Spanish architecture, its black roof, the din blasting her eardrums and she quickened her pace down the pathway so the noise gradually diminished and the street with its houses hidden then behind the encroaching wood.

A group of teen-age boys straddling bicycles blocked the path and she said "Hi", walking around them. Smiles crossed their faces. They looked healthy, sound in mind and body; their mothers would be proud of such specimens, she thought, and mused on the "bonjour" that echoed past her. Her students, about their age, had always liked her, no problems there. But the past had always oppressed her with its bleak history. The present teased her with its elusive and never-to-be fulfilled promise. And the future, what was that? Hope that some things might change. Blood doesn't, nor a tainted perception; his, not hers.

Ahead of her, a group of people, an assortment of ages, a family picnic in a clearing. Children ornamenting the grass, sitting beside parents, and a young couple, their skins glistening with dark tans in immodest suits throwing a Frisbee to each other, two huge animals like ponderous horses frolicking between them. Saint Bernards, that's what they were; lifesavers.

She couldn't wear a brief suit like that. The unsightly scar from a childhood appendectomy. Sloppy work done on her. She'd been 'one of them'. It hadn't mattered.

The macadam path ended and grass stretched before her, a faint pathway worn in the grass, and it was obvious that here the historic path continued. She meant to follow it this special day. There rose the sound of rushing water as she walked alongside the rapids; the width of the Ottawa stretching blue and cresting white, wide across the river to the city of Ottawa with its high-rise buildings disappointing and modernizing the landscape. She would avoid looking straight across, look only at the mesmerizing water, hear only the waters calling other centuries' sounds. And those of the blackbirds sitting in the sumachs, jawing their harsh tongue, compatible with the landscape.

Human sounds long passed behind her and she walked over a path bare of grass. Old, very old, and comprised more of granite outcroppings than dirt. The wind not as noticeable here, the scrubby underbrush nudging closer to the path, closing in at certain places and here and there, tent caterpillars spreading their corruption on newly-leafed branches. The worms, black, squiggling, appalling in their home, a knitted tent, fragile-appearing yet strong enough to withstand wind, rain and the onslaught of insect-eating birds; an obscenity on the spring growth of the bushes, the trees.

She deviated from the path, stumbling on gravel, walking to a granite outcropping. Stood looking out over the river to think on the tenacity of trees growing on granite islands in the river. Swallows, their bodies iridescent blue in the sun, graced their winged embroideries on the air, swooping over the turgid water, hunting insects.

Their cries meshed with the swishing water-sound and she thought how primordial it seemed, it sounded. And here she was, in this ancient place, transported in time to another space, following in the footsteps of Brule, de Vigneault, de Champlain; and they, intruders, in the steps of their guides, Indians who had long used the pathway. Feeling the same sun on her back, the same stones under her feet and breathing air surely the same, just a trifle tinged with the stain of 'civilization'.

Here they portaged, the explorers, missionaries, traders, voyageurs. The trade route, portage most familiar to them, homespunned and booted, setting canoes in the river, past the rapids, paddling north and south, shipping profits back to France. The influence corrupting the land as surely as the caterpillars did the trees. What would they say, any one of them, if they were here with her now?

No, not them, them! The moccasined ones, the bronze-skinned people of the plains, the forests and mountains whose home all of this had been, who lived with nature. Who also obligingly let it all happen, the desecration.

How different the immediate surroundings, for example? Well, ash elm, and poplar, thin and spindly in place of the virgin growth they met here. Giant conifers long logged out. And looking across the river at the cement monoliths, the architecture of the future encompassing that of the centuries following their footsteps; the Gothic traceries of the parliament buildings - what would they think? My God, she could hear their astonished, choking, inarticulate sounds, too stricken to be intelligent about it, the words strangling in their throats, their breathing heavy, laboured with distress for the land.

They were pushing her, demanding explanations, making her responsible for the nightmare vision before them!

The dogs, it was the dogs. The two huge brown and white dogs, nuzzling her, breathing like a brace of locomotives, slavering over her clothing, her hands pushing them away. Well, but they're persistent, insisting on being noticed. They're the here-and-now, not a group of ghosts crowding her imagination. They want to be fondled, shown that they matter. They would like to share her warmth. At the very least to be petted, feel her reluctant hands stroking the mat of their soft hair. So she obliges, murmuring "hello fellas" at them, and they eagerly complete with each other for her frail attention.

And as she walks on, back onto the pathway which twists and turns and finally dips to an inlet in the river where water twists over rocks forming a walkway, one turns back; the other follows her, joyfully adopting the small thin woman with the dark hair who stumbles but continues, determined to see this thing through, the historic walk, the promise of the day this mid-May afternoon.

Behind her, before her, beside her; he's there, the dog, snuffling, gamboling. Her newfound companion, his aliveness and eagerness for attention dominating the present, banishing the past. And she hopes he'll soon tire, become bored and leave her to resume her past connections. That's the way it always goes, doesn't it? Doesn't it?

Silas, she could have had him. Sad stereotype of a failure to adjust to another era, another way of life; the drunken Indian.

"Aw, c'mon Annie, have a heart. S'not my fault!" His tall frame leaning carefully, swaying, over hers seated implacably in her mother's house, visiting.

Anne", she said stiffly. "It's Anne".

Sneering at her, was he sneering at her? All right, it had been Annie when she was a kid, all the years they grew up together. Herself not knowing much then, though certain there must be a better way to live.

They talked. they'd get out, make something good of themselves, both of them. together. Childhood promises as ephemeral as children's dreams.

Back, only so she could tell Mattie Longcanoe how it was with her. She'd only shrugged. Didn't care. Nothing like 'no daughter of mine's gonna marry one of them'. It simply didn't penetrate the fog of drink, the stupor of indifference.

"Whose fault then, Silas?"
"It's a sickness, my dependence. Don't you do any reading up there? You're supposed to be so educated, living in the city, teaching. Even I read. Sociologists say we can't help it." His face saturnine, beautiful, earnestly trying to persuade her. Was he really that naive? "A crutch", she delivered her judgement pitilessly.

"Just a little help, that's all I need." Not from her. too late. Once, maybe, but not now. It was never meant to be, Annie and Silas. And currently it was Anne and Rene. Anne and Rene Hebert. Not as though it was only yesterday. Years had intervened.

Had they no concept of time? Expect her to come back now, after all that time" All that time. Why didn't all that time make any difference to her? Time heals all wounds, doesn't it? Wasn't time all that was needed to consolidate her future with him, with her white man? Ah, perhaps she was that ingenuous once.

That was history, too. And so was the failure. Why? Different worlds unable to meet. Was she so fundamentally different from say, his sister? How could she apportion fault? Partly hers, partly his. Did it make any difference? Promises meant nothing, even when they both agreed to try a little harder. And if it was all over now, why did she feel ... how did she feel? Could she define it? Well, at the very least, empty. Devoid of future thoughts. No expectations, that was it.

Finally, there, there; the steps, the granite steps she'd read about, where canoes were launched downstream from the rapids. The rapids much more fierce centuries ago, before the Chaudiere dam had been built. Much more fearsome, more spectacular. Cruel and beautiful. Those same words described the severing of one's past from the present; aroused the same helpless ambivalence, both repelled and attracted.

And how to define what she felt about this decision, still toying reluctantly in her mind? Was it greed or wonder for what lay ahead, the challenge of competing with nature on her own grounds?

Life's only challenge now was to endure. And what use in enduring what has no value?

She scrambled awkwardly over a series of rocks. Her intent to sit on a projection, a huge, moss-carpeted boulder overlooking, high over the river. The river turning and tumbling, fascinating, utterly; the patterns diverging, converging. An odour of creosote tarred the air and from where it came she couldn't imagine, yet it belonged there somehow and didn't bother her, its heaviness.

She relented, looked across the river to the other side and watched bicyclists turning wheel on the parkway, minuscule cars sliding metallically over the highway, the sun blinking off windows eyeing those tall buildings.

A sound. She turned away, watched now both dogs approach her, happily crowding the boulder, slobbering with joy over their renewed acquaintance. Eyes sad, bodies jovially clumsy. Sad eyes, reddened by selective inbreeding and it was true, wasn't it, that such dogs suffered eye problems as they matured? Wasn't it? As though it matters, Annie.

It was dangerous, wasn't it? Here on this precarious perch with the dogs crowding her? They footsure, but her uncomfortable beside their warm and panting bodies, their saliva spilling over her silk blouse, long pink tongues reaching to caress her hair. She pushing, scrambling to rise to her feet, they pushing and finally, her shoes sliding uncontrollably, knees scraping on the granite, the ancient mineral.

The water is cold and she is quickly inundated, the shock travelling electrically, in spasms, through her body. She is wearing her favourite pink blouse, a pair of brown pants and one shoe, brown suede, has fallen off. It's just as well she thinks, and wonders erratically about all the effluent that comes down the Ottawa from the towns and cities dotting its banks. Untreated sewage. So much for civilizing influences. A scandalous situation. Oh, she shrinks from the thought. As if it matters, she consoles herself. There are other things to think about in this brief space.

The dress rehearsals, practised in dreams. See, no panic! And this, the final presentation.

Hands reached up to grasp her ankles. Then her hands, which fluttered upward desperately, without volition, like frightened birds. The reaching hands were gentle yet firm, reassuring and helping her to adjust to her new home.

The rushing in her ears became a sweet song.

c. 1981 Rita Rosenfeld
Published in Mamashee, Winter-Spring 1981

Outlook, June-July 1988

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Memoirs of a Book Molesting Childhood and Other Essays
Adele Wiseman
Oxford University Press, Toronto. c 1987
Paperback 200 pps. Price $13.95

This is an impressive collection of essays by one of the grande dames of Canadian letters, a literary coeval of Margaret Laurence; indeed, their writing careers paralleled each other's, and theirs has been a long and warm friendship. Although Ms. Wiseman has never quite been recognized as having the same literary stature as her friend, her talents are formidable - as a writer demonstrating the ability to etch sharp images with the added cachet of indelible wit as is readily evidenced by the mischievous sparkle and delicate tracery of description in her nostalgic second essay "Old Markets, New World."

Ms. Wiseman, a native of Winnipeg where she lived with her family and her equally-book-hungry siblings, inhabited the world of fantasy, possibilities, and ultimate disillusion in that city. She is the author of two novels, the first of which, The Sacrifice, won her the Governor General's Award. She is currently a teacher and lecturer, living in Toronto.

This is a diverse collection of essays. Their very diversity, however, demonstrates a wide-ranging intellect and sharp intuition, coupled happily with an ability to paint evocative, sly and teasing impressions for the reader's delectation. Some of the essays were published previously and I found myself curious as to where each essay had seen publication, when it was written and the impetus for its birth. A short note prefacing each would have been helpful in clearing up the mystery for me.

The first essay, the title-piece of the collection, drew me immediately into its warm and cherished embrace. For it quickly evoked a response in me born of familiarity. Which lover of books and literature has not experienced some of Wiseman's perceptions? Sneaky mealtime, schooltime, bedtime excursions into fiction backgrounded my own childhood and that of countless others. But Ms. Wiseman adds her superb craft in recalling ineluctable experience for her own pleasure, and ours. The clarity of her prose diction evokes one's own memory with the sharp aroma of remembrance; so much so that this reader felt astonished that this writer, whom I have never personally met, could somehow 'know' my own experience so intimately. Her tender guidance in recalling the vital and all-consuming need to read was uncanny. At that time, to read was indeed to exist; necessity and final purpose, a means by which one rushed headlong into life.

But there is also the unhappiness of a coming-to-maturity, realizing that the written word can be, and is, used to manipulate, to perpetuate unjustness, conformity, and outmoded attitudes and systems, racial stereotypes and class structures.

Adele Wiseman's lifelong passion for books had led her to the conclusion that her mind has been refined through the reading crucible to the attainment of purity; of thought, discernment, decision and discrimination. Her one great regret lies in the realization that books, with all their profundities and inanities, cannot be the salvation of mankind. They can, and will, however, remain the lodestone of human knowledge, hopes and aspirations. In each new book one approaches, resides the potential of epiphany.

In the following essay, an absolute delight to read, she draws back the curtain of her memory to let us glimpse the Winnipeg Market of years past, redolent of schmaltz herring, crisp pickles, golden corn and blood-ripe tomatoes. She evokes roistering activity, vivid colour and earthy odours. Again, it is her pen, no one else's which so clearly evokes the long-forgotten/newly-remembered.

Uncle owned a horse which the young Adele viewed akin to a "cousin". Uncle discarded nothing, thrifty soul, gifting his sister's household with gilt-red oranges (sprouting mould) in summer, frozen hens in winter, and orange wrappings year 'round for, as she put it, a final Sunkist wipe ... at a time when bathroom tissue was an unthought-of luxury.

This is the work of an excellent writer, able to pass easily from the lyrical to the prosaic. This reader, for example, discovered the first essay to be utterly lyrical and intensely emotional in its excess of feelings; the love of knowledge (and the occasional jolts of reality) thrusts itself to the level of high consciousness in a burst of exhilaration. Anyone reading this essay with even a faintly similar background in the discovery of the wonderland of reading will readily throb to the appeal of a remembered fascination.

The essay, however, titled "What Price the Heroine", a feminist-writer's interpretation of the social mores which informed Henry James' The Portrait of Lady, while a good piece, is also a self-indulgent exercise for the feminist, writer or not. A piece of fiction should be recognized on its merits, regardless of how we later decry the social conditions which led to its expression. While well written, I found it a dry, academic exercise.

I found the essay "How to Go to China: Core Sample from the Continuous Journey" a most interesting bit of reminiscence. Both because I had been fortunate myself to travel and live for a time in the Orient, and because the essay explores impressions and relates the experiences of a coterie of some of Canada's best-beloved writers, travelling as guests of a group of Chinese writers. The observations, impressions, the ultimate kinship and understanding achieved are happy reading. For me, it was like eavesdropping on literary royalty, and I loved it.

c. 1988 Rita Rosenfeld
published in Outlook, Vol.26, No.6-7

Gusto, Fall 1978


Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Winter Morning

Early morning
and we peer
through frosted windows.

The sky
a great shadow
shifts slowly
to living cobalt.

The moon
dangles
a silver sliver.

On the horizon
the preternatural
glow of dawn.

In the cedars
redpolls stirring.

From the houses
smoke lazily rising
mingling
with the chill.

The snow lies
a plush blanket
the earth interred.

We bate breath
awaiting the afternoon
of seasons
a new arising.

c. 1978 Rita Rosenfeld
published in Gusto, A Literary/Poetry Journal, Volume 1

The Pub, Volume 1, #3

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

The Message

There are strange things done
at some editorial desks
perhaps in frustration
that what reaches them
falls short of
editorial expectation.

Take, for example
a sheaf of poems, returned.
I look at them, neatly typed
and hopefully sent out;
the sum totals of my
experiences and perceptions.

Plainly, there is a pattern
on the virginal white
the back of the sheaf.
A neat pattern of criss-cross
pleasing in its symmetry

faint and unobtrusive
like a watermark. Puzzled
at first, then as I held the
page to catch the light
I realized the pattern was

the imprint of a shoe.
There is a message there.
It comes through loud and clear.
As clear as I had hoped my
poems to be; as positive

as I had held my poems
to be. The message though
indelible, more obvious than
my poems were ever
meant to be.

c. 1979 Rita Rosenfeld
published in Pub 3, Summer 1979

The Pub, Volume 1, #4

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

On Easter Sunday

She was attracted
by his sensitive face
bearded and soft-eyed
his quiet voice
explaining things
she'd never imagined
gave her thought
of her future.

....When
she brought him home
her parents were polite
and she felt she was
home-free but soon
they faulted
everything about him.

She resisted even when
they warned she would
become 'one of them'
and the canker of their
anger grew until
they said choose him or them.

She finally chose
wanting to love ... yet
unwilling to hurt them.
It was on Easter Sunday
they nailed her to
the cross of their bigotry

and left her homeless.

c. 1979 Rita Rosenfeld
published in Pub 4, Winter 1979

Thursday, February 26, 2009

Quarry, Volume 27, Number 2

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Spiritual Revenance

Angelic hierarchy
flutter my adoring mind
transfix my soul
with melody of the spheres
that grand celestial psalmody.

Zodiacal Intermediaries!
Messengers of Light!
Succouring Avengers!
Ministering Flames!

Through sightless orbs
materializes a melange
of lesser lights
Cherubs, Seraphim
guarding G-d's only throne
ascend gently to

Angels, Archangels
biblic Michael, Gabriel, Raphael
(as for Metatron he
lurks unbecomingly
behind seventy names)
terrifically awe-ful
manifestly inspiring all

permutations of brilliant majesty
The Heavenly Host.
(Never speak of
clattering harpies
winging star-flecked time.)

Renascent deification
plagiarizations
from misted fearful antiquity
Persia, Assyria, Babylonia
lost age of fabled Mesopotamia
lighting mortality's
frail landscapes.

Support my wasted clay
oh vibrant lozenges
you golden-haloed faultless
brazen-imaged
myriad-eyed pretenders.

Where are you
when my pious tongue
worships your
Forbidden Name?

c. 1978 Rita Rosenfeld
published in Quarry, Spring 1978

Northward Journal 20 (2)


Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Early Spring Climb

Our purview limitless
through trees grey and bare
as a haze in the forest.
The stream gathers
winter's last gasp
sounding like a
hurricane mounting
and we watch the water
dash white-spumed
over green-lichened granite.
Beside the stream
coy unfurling of ferns
slits of white as
trilliums raise heads
to the newly-compelling sun.
We step around
winter's casualties
sloppily strewing
the forest floor;
fir and spruce
mourning spindly spires.
We even doubt
survival of the fittest
observing great pines
split sundered
by winter's tantrums.
The ascent is less gradual
than summer's memory
as we sit on a promontory
overlooking the lake
where three blunt-winged
marsh hawks laze on the wind
pinions etched
on the lowering sky.

c. 1981 Rita Rosenfeld
published in Northward Journal, June 1981

Jean's Journal, Vol.16, No.3

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Animal Husbandry

How could I
foresee it
Nomad?
Your loping gait
rambling restless
through this place
we share
shoulders leaning
against the confining air.

What time
warped your
presence here?
Innocent room
transformed to
bar-curved cage.

At night
beside me
I sense the odour
of your passion;
wanderlust denied.

I look these days
into archaic mirrors
reflecting the grim
lines of the experienced
Wild Animal Trainer.

c. 1979 Rita Rosenfeld
published in Jean's Journal, June 1979

Canadian Jewish Outlook, January-February 1985

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

War Criminal on Trial - The Rauca Case
by Sol Littman, Lster & Orpen Denys Limited,
Toronto, c.1983, 195 pp., $17.94

This book, by Toronto journalist and community affairs specialist for CBC's Newshour, Sol Littman, was born out of a collection of articles originally produced by the author for publication in Saturday Night magazine. The book is dedicated:
"To the courageous Jews of the Kaunas ghetto - the few who survived and the many who were slain."


In a sense, this book is their story; that of the Jews who lived throughout the Nazi years in all of the Nazi-occupied countries of Europe. Mr. Littman has documented his book thoroughly, travelling extensively to interview survivors of the Kaunas ghetto in Israel and elsewhere. This is a book well worth reading. What one reads here of the horrific impossibility of existence as a Jewish adult, child or octogenarian is a reflection of what occurred elsewhere in Europe from 1939 to 1945. Survival of a handful of Europe's Jewry, under the obscene conditions which existed for them, was nothing less than miraculous.

That such unbelievable conditions could occur anywhere on this Earth, singling out any specific group of people is the horror of our time. That the perpetrators and indeed the initiators of many of the atrocities described in this book, as in many others, would themselves survive - time and justice - and indeed, thrive in their newfound homelands, be they cities in Canada or somewhere in South America is just as unbelievable as the crimes they committed against humanity.

Mt. Littman points out at the conclusion of his book (chapter 17), that there are currently over one thousand Nazi collaborators living in Canada. Over the past decades there have been over one hundred requests for extradition of alleged war criminals from such democratic Western countries as France, Holland, Belgium, Norway and Germany received by Canadian authorities. Additional extradition requests have been received in Canada from Eastern Bloc countries, all of which wish to bring these criminals to justice. Canada has a policy of unwillingness to comply with such requests from Iron Curtain countries; there is a certain sensitivity toward these alleged war criminals - we would not, as civilized, democratic people, wish to return them to communist countries, would we? Heaven knows, they might be found guilty and punished for their imputed crimes.

Needless to say, Canada has not been diligent in responding to requests from the Western democratic countries, any more than she had to Iron Curtain countries. The Rauca case marked the first time Canada actually moved itself to accede to such a request.

Through this book we are taken on a journey. We are first introduced to Helmut Rauca, Canadian senior citizen and respected member of his suburban Toronto community, when three members of the RCMP politely arrest the then-73-year-old German-born man. Taken into custody at RCMP regional headquarters in downtown Toronto, Rauca is fingerprinted, photographed, and appears before Associate Chief Justice William Parker of the Supreme Court of Ontario, to be charged. He is taken then to the Toronto Don Jail after his arrest, charged with "aiding and abetting the murder of 10,500 persons on or about the 28th day of October, 1941, at Kaunas, Lithuania."

Albert Helmut Rauca was part of an SS security unit termed "Einsatzgruppe", stationed in Kaunas from July 1941 to July of 1944. He was an SS master sergeant and member of the command headquarters of the Security Police and the SS Security Service for the General District of Lithuania. Rauca was proud of his position with the SS. He was feared and despised by the inmates of the Kaunas ghetto; well known to them all for his predilection for unpredictable and violent action.

Much as was done in other large European cities under German occupation, the capital city of Kaunas, through its civil administration under the Nazis, collected its Jewish population in a small geographic area set aside for that purpose as a collection point; a place where the Jewish men, women and children could be held, apart from the general population, and the young and strong could be used for slave labour while gradually culling the old, the ill and the very young through Aktionen whereby firstly the young intellectual males were collected under the pretext of an offer of 'good jobs', and taken instead to a nearby fort and murdered.

This select group was culled initially because it was feared that insurrection or insubordination might be initiated from among their ranks. Next came a round-up of the children of the ghetto where stormtroopers and eagerly helpful Lithuanians rooted out children of all ages wherever they had been hidden so that they too might be taken to one of the forts surrounding the capital city and summarily executed.

The third (and near final) roundup, termed the 'Grosse Aktion', was one in which all the inhabitants of the ghetto were commanded to appear at a central meeting place and at that time, Rauca busied himself separating the people who appeared before him in turn; singly and in family groupings they were separated into groups of those who were still desirable as slave labour, and those who were more immediately expendable. An indication to join those grouped on the right was a death sentence, an order to join those assembled to the left meant a brief respite at least until weary, starved bodies could no longer be pushed to produce and they too would be eliminated.

This scenario was repeated in many other ghettos, with others, among them the infamous Dr. Josef Mengele, playing the role of god, choosing those who would die more immediately than others.

The Judenrat in Kaunas was, however, quite different than that which existed in most other ghettos of the time. Its head, a highly respected elderly physician who spared no efforts at attempting to save his people, was Dr. Eichanan Elkes. Dr. Elkes' desperate attempts to persuade the Lithuanian civil authority (many of whom had been former colleagues and brother military officers) to relent in their acquiescent prosecution of Nazi directives, and his unflinching accusations, face-to-face, directed at the Nazi officers that they would one day 'pay' for their horrible crimes place him in a different sphere altogether.

Similarly, the other members of the Altestenrat (Council of Elders) conspired, not with the Nazis to save their own skins, but actively against them. Also in Kaunas the Jewish ghetto police, that group of Jewish men who in other ghettos acted more as Nazi collaborators than Jews, were vastly different under Dr. Elkes and his Council. Proud young Jewish men who had been responsible youth leaders, athletes and intellectuals were chosen and this group of ghetto policemen collaborated with their own, many of them also being active in the ghetto underground.

This book details their daily living conditions, their ferocious fears of their short-lived futures, and the gruelling work to which they were submitted, to survive. The horrors experienced by the ghetto during the various roundups, and in the final trial through the burning of the ghetto are unforgettably re-lived here.

If anyone, pacifist-forgiving Jew, or uncomprehendingly removed Gentile, might ever be assailed by a sense of misgiving about the rightfulness of pressing for prosecution of war criminals at however much a distance in time 1984 represents, this book should be required reading.

The performance of the government of Canad, aside from the honourable performance of a few of its servants like Corporal Fred Yetter of the RCMP, and Christopher Amerasinghe who acted as crown prosecutor for the Attorney-General of Canada, is appalling, dismal and totally uncreditworthy. With a little bit of diligence, Rauca's records in Germany might have been perused and his entry to Canada would have been denied initially, back in the 50s. But reality is that the Government of Canada was far more anxious throughout the 30s, 40s and 50s to keep European Jews out of Canada than it was any other European nationals.

Our country has much to answer for, but it continues to appear as though this represents simply another incident to be buried, and lip-service will continue to be paid to human rights while the actuality of actively pursuing those goals are but a dream.

An end-quote from Dr. Emil Fackenheim of the University of Toronto appears most apt at the conclusion of this book. When asked why Jews cannot 'forgive and forget' (an infuriatingly impossible question), Dr. Fackenheim replies: "It is not out of revenge that we demand the prosecution of war criminals, but out of a sense of universal justice. The Holocaust was a tragedy inflicted on the Jews, but it was also an act of pure evil that affects all mankind." No more need be said.

c. 1985 Rita Rosenfeld
published in Canadian Jewish Outlook, Volume 23, No.1-2

Samisdat, Volume XVIV, #1, 72nd release

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

The Innocence of Rasputin

Recently I read a news report that Rasputin's daughter Marie had died of a heart attack in California. Apparently, she had been busy the last few years co-authoring a book attempting to exonerate her father of what she claimed were 'calumniating infamies'.

Coincidentally, I had a dream shortly afterward. I recall waking from the dream disturbed, yet only one scene remained clear; that I was in a bucolic setting and there saw my uncle walking toward me. He looked young and sported a full head of hair, which seemed peculiar in itself since I'd never known him young and he'd always been bald. As he approached me he began to diminish in size and his clothes appeared to melt until he stood before me wearing a fatuous smile and nothing else; a naked imp. That same dream occurred three nights in succession.

Guilt. It was as simple as that; I felt subliminally guilty because I'd impugned his memory. "Rachel, I have bad news for you", my kid brother Barry had said, calling from Toronto. His voice sounded half-strangled, a poor connection I thought.

"What?" I gulped, imagining all kinds of disasters that might really have mattered to me.
"Uncle Frank died."

At first it didn't quite penetrate. I mean, my first reaction was, why was this bad news? After all, the man had been sick for a while, he wasn't young, and furthermore he meant very little to me. Too bad, I felt, but that's life.

"Oh", I finally replied. I suppose my reaction seemed too pallid, even long-distance.

"He was a good man", Barry said with surprising piety, as though daring me to deny it.

Again, I didn't know what the hell he meant. What was so good about the man? Barry hardly knew him. Then I recalled that during his last visit Barry had been wildly enthusiastic about his late discovery that Uncle Frank was an amateur soil-tiller. Barry is a professional environmentalist, you see, with a doctorate in ecology, and he was thrilled to discover that Uncle Frank used manure instead of commercial fertilizer on his vegetables. Barry is younger than me, another generation entirely.
Mine isn't particularly dedicated to anything, while his is serious, too serious about issues that pass right by me. "You don't know what you're missing, Rachel", Barry had once said to me. "I'd like to turn you on."

"Incest doesn't excite me", I'd said, and he looked disgusted. Maybe he thought there was a natural affinity in both kinds of grass, and getting me into one would excite a latent interest in the other.

All this nonsense going through my head, and I said, almost casually, "What the hell! He wasn't such a good man..."
"What do you mean?" Barry shot back.
"He was a child-molester, our Uncle Frank."
"What the hell...!"
"That's right, dear brother. Me, he assaulted me, before you were ever born."

Silence, then a cool and very polite 'goodbye'. And that was the last time he called. Pity. I miss him.

In retrospect I think I was wrong, I should have shut up; of course I should have, but I always was impulsive. Anyway, it brought back memories, and I began to muse on definitions of good and bad; how to equate personal characteristics with one or the other, and who, really, is the final judge?

When I was about six or seven I used to run, two steps at a time, up and down the stairs to our second-floor flat. Once my mother had given me an empty bottle and sent me out for a quart of milk from the corner store. I tripped, missing the second-to-last step. The bottle remained intact, but I incurred a hairline fracture. I wore a cast for about six weeks. Since my mother worked, my aunt, Uncle Frank's wife, offered to take me to the hospital to have the cast removed at the proper time.

My aunt and uncle had a roomy apartment on Dundas Street, then. I can remember him going up through a trap-door in the ceiling of the hallway to get to the roof. He'd trap pigeons up there; show them to me, their beady eyes blinking as he gently stroked their feathers. They were destined for the cookpot.

I had two cousins, a boy and a girl, both older than me. My aunt wouldn't permit me to sleep with either of them, but instead set up a makeshift bed for me, between her bedroom and her children's, beside a French door connecting the two. In the morning, before daylight, I saw my aunt get up from her bed and move like a white-sheeted wraith down the hallway toward the kitchen. I had slept badly during the night, not only because the 'bed' was uncomfortable, but also because it was my first night ever away from home. The traffic outside threw ribbons of light over the ceiling, and shadows seemed to loom from every corner. I worried too about how the 'operation' would proceed the following day - cutting the cast off. I imagined the knife slipping, and goodbye arm.

My uncle, seeing that I was awake, motioned me to get up, to come over. He lifted a corner of the quilt, inviting me into his bed. "Come, get in", he said. At first it seemed an appealing idea. Then I caught the thick odour of nightsweat and hung back, shaking my head. "Get in", he insisted, "and don't make any noise - you don't want to wake your cousins."

Obedient, I scrunched myself into a private little ball, distancing myself from him, but surprisingly he moved closer. "I won't hurt you", he promised, weighting me down, "relax and don't make any noise."

Years later they bought a house on Indian Road, right next to High Park. My uncle transformed the paltry yard into a Garden of Eden. Neat rows of vegetables thrived under his devoted hoe. He grew fruit trees from seed and lavished care on every type of flower. although a short, squat man with a broad peasant face, when in his garden he glowed, became a voluptuary moving as in a trance through a green dream.

I disliked their house, but would go there with my mother, leave her there, and go off myself to High Park to wander around; over to Grenadier Pond, where the Queen's Grenadiers were reputed to have followed their leader unswervingly, drowning, every last man of them, unwilling to break the perfection of their suicidal march. From there to the animal cages, where bison and oriental goats were kept. Then to the smaller ponds where water-fowl abounded and if I was sharp-eyed I could catch them mating. I'd lose myself in the trees, imagining I was in a jungle and not me at all, but my hero, Tarzan of the Apes.

I was a dark-skinned child, small for my age, with long black hair. My mother would wash my hair with coarse soap that stung my eyes, and then rinse it with lemon juice, accentuating the agony. Finally, she would rake it with a fine-toothed comb; my school shed a lot of 'cooties'. My hair, curly, would snag on the comb, and it was an excruciating procedure. Once, to try to make her stop torturing me, I shouted apropos of nothing. "Uncle pulled my pants down!". She slapped me.

Well, it had been true. He had persuaded me to let him take my pants down one evening at High Park; promised me a purse of my own, real leather, just like one he'd bought for his daughter. I was an avaricious child, but I never did get that purse.

Not long after, I persuaded my mother to let me get my hair cut short. I thought I would look pert, like my cousin with her short, curly bob. My mother sent me to him. He had, you see, huge shears because he was a tailor by profession. He hefted each braid in his beefy hands and asked, "You sure?", then lopped them off. Seeing them looped on the floor, myself cropped and unbeautiful in the mirror, I felt bitterly disappointed.

As for the molesting, it wasn't only him, I'll say that much. I mean, I can remember teenaged boys who lived below our flat, trapping me in the common bathroom, unzipping their pants and exhibiting their prizes. I couldn't have been more than five or six then. A roomer on the same floor would wait to hear my footsteps in the hallway, then open his door and flash. And the old men in the park, always following me, promising goodies. I was frankly fascinated. Fascinated, I think, that men were so damned silly.

At my wedding he was there, with his bluff peasant heartiness. Holding a glass of vodka, he gave my husband-to-be pertinent advice. God, he looked like a real muzhik, that man; a Russian peasant. Which of course was what he had been. After the ceremony, when he'd had a little more to drink, he wove his exuberant way among the guests, following me and my husband around, giving us more specific advice. When we left after the reception Uncle Frank shouted after us, finally: "Have - a - good - time!"

When, years later, we bought a house of our own, he gave us a peach tree.

All the above is by way of explanation, background - an attempt to balance the weights of good and bad. Now take history's treatment of Grigory Efimovich Rasputin, also a Russian muzhik. Russian peasantry considered him a holy man, a starets. History documents him as one of the most iniquitous and unprincipled villains of recent history, a charlatan of the first order, who freely manipulated that brace of royal simpletons, Nicholas II and Alexandra. On the other hand he raged against the establishment, the aristocracy both religious and secular. "No wonder the peasants are ignorant and poor - you give them taverns and brothels, not hospitals and schools!"

Rasputin advocated social assistance for the indigent, fought against war, and later against the conscription of farmers. Naturally, he also accepted 'gifts' for his political manoeuvrings, and he delighted in lurid exhibitionism. But again, he dispensed personal largess to needy petitioners.

He was, in the end, a victim of what we now call 'bad press'. A more indulgent muse chronicled the exploits of Byron, Boswell, and Rousseau.

Not long after my brother's call, my mother came to spend a few days with me. We walked along a pathway in a park where where I live now. It was a lovely, crisp autumn day, and we waded through leaves: their acrid odour, rising and mingling with the cool air, reminding me of High Park.

"Do you remember, Ma", I felt suddenly moved to ask her "Once when I was a child, I told you that Uncle Frank molested me?"

She stopped, turned her astonished face to mine: "What do you mean?"
"I mean that he bothered me, sexually."
"No! You never said anything like that to me, I wouldn't forget! Are you serious? Something like that happened?"
"Yes."
She tipped her face toward me. "You're sure?"
"Of course."
"If I knew!" she spat savagely. "If I knew - would have torn his eyes out!"

We resumed our walk, an awkward silence between us, and I wondered at myself; what could my motive be, to place this burden on her? Foment an awkward distance between my mother and her sister, Uncle Frank's wife? Finally she turned to me.

"It never happened" she said, with a rising inflection. "You were only imagining things." She looked at me with her knowing eye.
"You always did have an active imagination, and you're still mischievous!"
She went on to describe what a paragon of strength my uncle had been to her after my father's death. And when his own death stared him in the face, how noble he had been, blessing his family with his continued concern for them, ignoring his own pain.

So it's true. Everything balances out. A small girl's unhappiness becomes a grown woman's spite. There is nothing to forgive, and I have already forgotten. Uncle, rest in peace.

c. 1979 Rita Rosenfeld
published in Samisdat, XVIV

Prophetic Voices, Anthology of War and Peace

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Nihonjin

This country once so fierce
still feared by its neighbours
once victims and never forgiving
has pledged itself to peace.

This land where violence
is shunned and courtesy reigns
contends with a Korea
and a great giant China
nervous of its potential.

Yet, its people recall
their own vulnerability
and the ultimate desolation
and will brook no overt militancy
nor covert resurgence.

Here, personnel of
Japan Defense Forces
cannot wear their uniforms in public
else this most courteous of publics
heap public scorn and ridicule.

Would that all other
countries' people followed suit
demanding of their leaders that NO MORE
NEVER more than 'itchi pacento'
be used for arms and defense.

We may enjoy our solitudes
or we may enjoin for tolerance
we may not thrust the dark intent
of the final ending of all things
on all living matter.

It is the peoples' will.

c. 1987 Rita Rosenfeld
published in Prophetic Voices, IX & X

Arta Victoriana, Centennial 1878-1978


Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Winter Beech: Still Life

A beech
standing in the frozen stillness
of the snowbound wood;
still wearing autumn's
translucent leaves
rasping in the
wind.
Frail covering
in this chill landscape.

c. 1978 Rita Rosenfeld
published in Arta Victoriana, Volume 102, No.2, Fall 1978

Wednesday, February 25, 2009

Origins, Volume 10, No.2 (7)

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Some Things

Some things are
never forgotten
become recalled
triggering response
and childhood flashes
before unready eyes.

The child terrified
of the sterile
unsmiling unknown
of the hospital
is drugged to oblivion
yet still hears
voices as from the
watery depths of an
endless ocean.

Recalled
an adult
pressed in on all sides
by moist hurried bodies
becomes anaesthetized
tunes in to herself
hears voices
thin strained
from that vast distance
of unquiet
alienation.

c. 1980 Rita Rosenfeld
published in Origins, Volume 10, June 1980

WEE Giant, Volume 1, No. 3

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Circus

I stood there in the rain with
the other buffs, vetting goodies.
The auctioneer began his pitty ..
patter, smooth-tonguing the
rough edges off the offerings.

Antiques? I wore an umbrella
over my face and watched the
eager bidders; people collecting
junk, throwing lucre to the winds.
Not even a blush tripped the

face of that pro as he lauded
dregs picked up some garbage
collection day - what you might
call Sally Ann vintage.

Oh the credible saps!
Hell, old P.T. Barnum would've
been tickled. Now, how to
explain what I'm doing here?

c. 1978 Rita Rosenfeld
published in WEE Giant, Spring 1978

Prophetic Voices

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Map Reading

The mortal wrappings
shrunk and desiccated
two old souls leaning into the
day
hunched inside themselves
supporting one the other
sloping gently
down the Saturday street.

His hair a lofty wisp
in the breeze; hers lies
grey and complacent
over a face lined with
(could one read faces)
equal measures of bitterness
and sorrow.

They have one another
through the creeping years;
not cause in itself for joy?

But faces are not easily read
the inner self privacy incarnate
those knife-sharp runnels
eyes which weep rather than see
might as easily be
celebrating memory.

Who are we to read messages
in deep pools of age
running dark fingers of memory
through uncertain steps
living the past in the present
stumbling Saturday streets
into the meagre future?

c. 1983 Rita Rosenfeld
Published in Prophetic Voices, An International Literary Journal

Ululatus, Volume One, Number Two (2)

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Everyman
(Oh Death, thou comest when I
had thee least in mind!)

God Adonai called His servant
Death and made him Supreme
Messenger to unready man.

Everyman lived his life in order,
spoke of truth and justice,
wrote in a notebook of all his good deeds
prided himself on intelligence and
great sensitivity; shrugged off his
blind impatience.

Everyman surrounded himself with
the Good Things that commerce affords
its precise practitioners, enjoyed a
large circle of friends, sent cards
on Special Occasions to Family.

Rendered his children to approved
Seats of Learning. Everyman read his
bible, considered it a runaway best
seller, liked the bit about an eye
for an eye - he supported Capital
Punishment. Everyman mailed cheques

weekly to his sons and daughters
to ease their way in this Vale of
Tribulations. Facing the Dread Angel
he said: why me? I'm not Godhelpme
ready yet - I need time - to settle
affairs, compose my final goodbye....

Obliging Death granted him a
lingering shade that gaunted his flesh,
sunk his eyes. Everyman fondled his
deedbook, ran loving hands over bankbook
and new car. Said goodbye to his

friends' turned faces; wearily slit
open envelopes to read get-well cards.
Wondered if this was God's punishment
for hanging murderers. Sent off the
last cheque to his grieving
sons and daughters.

c. 1978 Rita Rosenfeld
published in Ululatus, September 1978

Ululatus, Volume One, Number Two

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Under The Sun And Brother Mars

Still at it, those tired old hacks.
Groping words of warning to shape
the world; gloom prophets. And Mars
down from his bloody planet laughs
striding killer boots over the
shrinking earth. Lame-minded prophets,

like hobble-foot Hephaestus, pleading
peace. Tired platitudes. What
mindless destruction? Civilization
has reached its zenith. In scientific
technology in detachedness.

Innocuous that word; neutron. From
neutral? Undecided?
Not taking sides. Impartial
Switzerland was once a nation of
mercenaries. Hephaestus, remember, was
a blacksmith, himself clanged weapons

of war. Too lame to fight but provided
the means. It all seems so damn
familiar. We are grateful for mass
anonymity and sanity prevails. We've
leaped forward to a time of great

understanding. Understanding as we
do that the dead are only
television images.

c. 1978 Rita Rosenfeld
Published by Ululatus, September 1978

Tuesday, February 24, 2009

Origins, Volume 10, No.2 (6)


Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Sanctuary (1)

The trees bare as straw brooms
bleed bright yellow blazes
sharp counterpoint on grey beech
dark needles of conifers
comb the winter air
shoved by a bitter wind.
The snow is loosely sifted
glaringly bright under the winter sun
as we cross-tuft a pattern
striding snowshoed. The
silence echoes as we whisper
in the cathedral stillness of the wood
watch two deer panic
red rumps flicking white flags
dark droppings steaming in the snow.
They're still spooked by vague
ghosts of hunting incursions
in this game sanctuary.

[We'd watched helplessly
as scaups frantically
beat the air
rising from a quiet autumn lake
air thick with shot. Later
looked down from protected heights
as a deer veed another lake
trying to escape the hunters
finally standing
frozen in fear
on the cusp of the lake
a perfect target.]

They're forgetful in the summer
memory of terror dimmed
let us watch them browsing.
Yet it was just last summer
we discovered this same forest pathway
plush with fawn-coloured hair
yawning with the chalk-white
skull of an unwary deer.

c. 1980 Rita Rosenfeld
published in Origins, June 1980

Origins, Volume 10, No.2 (5)

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

My Self

I am many where
I would be one
fearing forced explication
or the face turned away from mine
so I become malleable
as clay
responding to others' biases
tamping down
my inside self
forcing up those double images
parroting words
to evoke pleasant acceptance
prevent awkwardness
yet disliking this stranger
making her uncomfortable
sojourn
nestling among my
sinews my bones
where that one and that one
is all things
to all men
and that too-quiet
lonely voice calls out
yet unheard
hear me!
let me out....
I cannot.

c. 1980 Rita Rosenfeld
published in Origins, June 1980

Origins, Volume 10, No.2 (4)

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Leonara's Passion

Sunlight streamed through the slats of the blind, throwing fingers of light over the bed. Motes of dust shifted lazily through the streams of light. He stirred beside her; moaned lightly in his sleep. She strained to hear; was that someone's name? That most intrusive of curiosities, wanting to know, in a careless kind of way, the most intimate of another's needs.

She had been awake since dawn, studying him. To look at him like that, unaware, with no protective devices in place. Smooth cheeks, no blemishes, like a girl's. Hair tumbling in chestnut loops over his forehead, his ears. Vulnerable. That pleased her, the thought of his seeming vulnerability.

She felt tempted to bring her hand up, stroke the marbled shoulder closest to her. Instead, she brought her hand up to stroke her left breast, lingeringly. Her hand travelled with an impetus of its own to her face, then traced the scar on her cheekbone.

She turned again in his direction, was startled to see him watching her. She smiled and stretched, deliberately provocative, voluptuously. His face remained impassive yet strangely searching, wanting something of her.

He threw the light covering off and rose, walked toward the window, wordlessly. Stood there looking out, back turned to her. Like Donatello's 'David', she mused. Well formed but light, almost feline. Of course it was Michelangelo's 'David' that she preferred. As an art object, that is. As a sex object she preferred the artless helplessness of the perpetual adolescent. Eternal mother, warm and ready to receive - not nurture, receive.

All-embracing in a discriminating kind of way. Everywhere her venue. Belonging to no one and everyone. Like public property with a private lease. And this way, she mused with familiar satisfaction, life was less of a bloody bore. She needed these distractions as a release from business tension, as a cathartic outlet. And why bloody-well not?

She straightened up and shifted to her back to clasp her hands around the back of her neck, stare up at the ceiling, review her schedule. This would be a day of decisions. She had to draw up the season's calendar of public events. A Harold Brown retrospective for certain. He was currently enjoying a renaissance of public interest, might as well cash in on it. And what about a special showing of French impressionist pen-and-ink drawings? Could think of inviting the French ambassador to open the exhibition at a gala reception. Have to check the budget, think about the wine list. Talk to Sara about bringing over Jackson's exquisite mushroom drawings. She could mount that exhibition in much the same manner as the National Gallery, using excerpts from his diary to highlight the total effect. Look into the rumour of that Renoir going up for grabs; she could stretch the acquisition budget to allow for a prestigious coup.

"Well?"

She winced at the intrusion, resented her broken train of thought. Turned to regard him. His voice sounded surprisingly firm considering his state. He was picking at his fingers, again. He knew she hated that. People should control their ambitions, their emotions a little better than that. This was a civilized world they moved in.

Not straining herself with a verbal reply, she raised her eyebrows questioningly. Despite herself, annoyance turned to pleasure as the curator took over. With the sunlight playing over his flesh she could almost imagine him encapsulated in amber. Pity. As a specimen he would be simpler to deal with.

She would simply have to exercise a little more choice in future - be less eclectic? And by all means look for someone less ... what, dependent? Yes. More mature, less needy. A military type, for example. With the stunningly cruel yet beautiful face of Verrocchio's 'Condottiere'.

The sardonic half smile on her face was for herself, not for him, waiting for her response, glowering like an ill-tempered child.

"Yes, David?"
"David!"
"Sorry, Brian." She yawned, amused by the tremor in his voice.
"What's the matter? What's been happening?" His voice pleading. He meant to play on her sympathies. That was certainly assuming a great deal.

The floor creaked lightly as he walked toward the bed, settled on the rug, then leaned his head on the sheet thrown lightly over her, his eyes calf-like, appealing. She adored his long lashes.

"Absolutely nothing. There is nothing at all going on. Unless, of course" she said coquettishly, "you consider the marvellous break you're getting. A show of your own. Toronto's newest darling of the nouveau-arty set."

"Right ... and I'm grateful, of course I am! But you know that's not what I mean."
"...of course, non-objective art ... these surrealist abstractions don't do anything for me. A personal opinion, you understand." She tilted her face toward him, smiled warmly.
"Yes, I ..."

"I much prefer the Italian masters. However, I have it on absolutely impeccable authority that the latest craze among those who can afford it is for these little avant garde constructions of yours. How would you categorize them, Darling, pastiches?"
"Actually ..."
"...and with the right kind of presentation - which is what this show is all about ..."
"Goddammit! Never mind that now!" He brought his face closer, the earnest look on his face, the intensity with which he regarded her ....

"Brian, dear!"
"Look, you've got to level with me! I have to know!"
"Daarling" she drawled, wondering how long it would take him to finally accept the tedious inevitable. "Is it true that those little pellets you litter your canvases with, the ones you spray with that horrid aluminum paint - are they really rabbit droppings?"

"Jee-sus! You're not even listening to me! Yeah, that's what they are, all right. Shit! And that's what you think my work is too, I know that. Now please, give me some idea of where we're at!"

"Oh, sorry Love. Where we're at?" She repeated, then paused and the silence and his expectations weighted the air around them, suddenly made her sick of the game.
"Well, exactly nowhere" she finally pronounced, articulating carefully.
"Just like that?" He demanded incredulously. "Everything was fine. It was, wasn't it? What'd I do wrong?"

His breath breezed stale cigarettes, liquor, an altogether unsavoury excess. Her nose twitched, like a rabbit, she told herself, suppressing a giggle. Ill-timed, dearie, that would most surely devastate the poor dear, the dolt. Remember what Mama taught you; only resort to ridicule when all else fails. Give him another chance to muster his resources. She drew away and propped herself on an elbow, her hair shifting over her shoulders.

"Nothing, nothing is wrong. You've done nothing. Comes a time when a relationship has nothing to keep it going."
"How can you say that?" How can he sound so anguished? Marvellous, had no idea he had thespian talents as well. Might recommend he explore that option, give up the dabbling in oils - some other time, when he'd be more receptive to good advice.

"I'm a romantic, an inveterate romantic" she sighed. "And Lovey, there's nothing left. I'm ready to move on."

He turned away, hugged his arms around his bent knees. The silence encompassed the dishevelled bed, the stale air, his brooding figure, her condescension; her patience which was wearing thin. Old girl, she reminded herself, be kind, remember what Mama always said.

Tedious! And last night's party at the Purple Pansy; an utter bore. Waste of time ... almost. Was getting tired of all the little arty-farty backstabbings, whining. And the bloody tantrum he threw! Just because ... what the hell was his name, now?

"I satisfy you, don't I? Well?" She mocked with vigour. Blew him a well-rounded kiss.

He drew his breath. So audibly, oh dear! "You cold bitch! You're frigid, that's what's wrong!" His voice breaking, sounding almost, she thought with relish, like a castrato. Really!"
"That's better" she said, her voice deliberately encouraging. "That's more like it! Get it out of your head, let it all hang out, Lovey."

"No...I..." he disclaimed, his voice stricken now, head bent like a broken puppet's, in despair.
"It's therapeutic" she assured him. Goddamm! If it isn't time for this little bedroom farce to end, she thought with growing irritation.

He rose from the floor, hung his face pleadingly over hers. "I didn't mean it. I'm frustrated. It just ...." He began striding about the room, back and forth. Splendid, a caged pussycat.

Her eye caught the helmet glimmering on top of the French armoire. Photography was her own medium, her forte, and he had been persuaded to pose for her last night; a tipsy Cupid, resplendent in his glowing nakedness, the metal helmet set awry on his head, posing obligingly. Oh, call them Adonis, Salai or David, they're all the same; fey sprites in love with themselves and vehemently denying it.

Why didn't he go? These scenes were so damn predictable. She really was getting sick of these pseudo-incestuous relationships.

Her attention turned back to him, striding the floor. She wasn't entirely insensitive. But it might be just what he needed, a bit of anguish; self-manufactured or not, this blow to his self-esteem. Excite, perhaps, his latent genius. How droll.

She watched him stop before the portrait dominating the wall before the bed. With him, she appraised the self-portrait of the Great Man, ran her eyes over the flowing beard, the piercing eyes that bespoke his genius. "This goddamn picture! How can you stand it staring down at you all the time? Everywhere you turn, those eyes follow. It gives me the creeps!"

She glanced at the clock on the night table, yanked the sheet off herself and slid out of the bed to stride, finally, into the bathroom. Placing herself on the toilet, grateful for its unexpected warmth, she waited. Not bothering to shut the door, she grinned at him watching from the other room, his face stricken, mouth gulping air like a drowning guppy.

His face crumpled, his breathing resounded in shallow gulps. Turning with a piercing shout he plucked his clothes off the floor, slapped them hastily on; the whole thing taking seconds, then exited, slamming the door behind him, resoundingly.

She sighed, rose, flushed the toilet.

Turning the taps on full, she began to run her bath, sprinkled salts into the rushing water, the aromatic fragrance of a heady musk rising with the steam to fill the lavender-coloured room. She sniffed appreciatively and padded back to the bedroom, briefly surveyed the mess.

She lifted a snifter from her bureau. Some brandy left. She warmed it with her hands, held the glass up to observe more closely the colour shimmering on the sides of the glass, then tilted it and played her tongue in the viscous liquid.

Hands on her ample hips, she stood before the picture of the Maestro, da Vinci. the bathroom thundered a waterfall. Water, she recalled, was thought to portray sensuality ... the background of the Mona Lisa, that half-wittish, asexual creature, that clever joke.

"Old Misanthrope" she murmured. "Two can play at that game."

c. 1980 Rita Rosenfeld
published in Origins, June 1980

Canadian Jewish Outlook, March 1983

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Phoenix: A People

Some think it is
undefinable
some strange element
so faint perhaps it really
is not there;
but yes, it is
evanescent at times
barely beating at others
but there
that distinguishing
(characteristic, is it?)
which binds a people
cements their past
to the present
illuminates their future
though the people be divergent
so far from its roots
acculturated
lacking commonality of vision
but for this strange link.
This
link which strangely
identifies and sets apart
willingly, unwillingly. Yet
it is too a joyous thing
and by its grace
we levitate we dance
we dry our ancient tears
and rise from the smouldering ruin
of history.

c. 1983 Rita Rosenfeld
published in Canadian Jewish Outlook, Vol.21, No.3

Mamashee, Issue No.1 Volume 2

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Survival Technique

Never would've believed
your kind existed
anymore.
Like the Dodo
and the Edsel
(generational phase
a passing craze)
extinct. Though

sometimes
I thought I caught
a glimmer
of the essence
in others
caught off guard.

There you sit
my friend
discussing the
plagues of this world
so plainly
suffering yourself.

Keep it up
my friend
and you'll become
yourself
an endangered specie.
Those amorphous others
that great majority

once they catch wind
will howl
for blood. Just
remember:
detached
rationality
is the current
formula for
self-preservation.

c. 1978 Rita Rosenfeld
published in Mamashee

Monday, February 23, 2009

Origins, Volume 10, No.2 (3)

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

After Feud

There's great therapeutic value
in unloading disappointments
unhappiness of others
not rising to expectations
which is why
psychiatrists have it made
they've learned
the wonderful attribute
of listening, gently probing
as though another's discontent
matters, personally.

Themselves
close-mouthed as a matter of
professional self-preservation.
Who's ever to discover that they
aren't after all wizards
of the arcane cult of living?

Who'll ever know about their
predilection for coke
(I mean the real thing)
obsession with dainty extremities
infantile fear of the dark
proclivity to premature ejaculation

UND ZO ON?

c. 1980 Rita Rosenfeld
published in Origins, June 1980

Origins, Volume 10, No.2 (2)

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Relations

The fire had finally taken, his patience rewarded. As he'd expected, as he knew it would. But not always; patience and virtue were supposed to be their own rewards. Still, they seldom were and like anyone else, when Ralph invested his time, however little, he expected a return.

Despite the rain that drenched the grass, the tree-tops canopied above kept them reasonably dry. Nearby, the sound of the rain splotching on the metal of the car pinged constantly. The stones supporting the iron grate under which Ralph's fire was now lustily eating lengths of dry kindling, leaping busily to lick heavy pieces of elm lying on the grate ... the stones yes, hissed their hot contempt at the puny efforts of the rain; those few drops that managed to evade the umbrella of the trees.

Ralph rubbed his hands over the fire, his nails scraping dirt clots off his palms; dirt from scrubbing, from his hunkered-over position before the blaze and when he did, his knees buckled slightly. A cramp; in his determination to light the fire despite the damp air, the half-damp logs, he'd been kneeling there for some time, feeding the fire like an anxious mother spooning nutrition to a queasy child.

A cough beside him. Margaret standing there, warming herself. Staring glassy-eyed at the fire. As though hypnotized, why else would she stand there, coughing, yet permitting the smoke caused by the fire coming into contact with damp portions of the wood to swirl about her face, sting her eyes, irritate her nostrils.

"Margaret." Slowly she turned. Smiled. A curiously shy smile, as though acknowledging the presence of a pleasant-appearing stranger; the smile a courtesy, no reflection in her eyes.

"Margaret, move away, over to the other side."
"Why?" the smile turned to a puzzled frown and she remained there where the smoke continued to eddy around her and upward, the updraft taking with it bright embers that luminesced minutely then turned into dust, one or more occasionally embroidering her jeans before it turned to ash. One step, another, and he stood beside her, took her shoulders in his hands and gently shifted her to the side, laid her forehead on his chest, held her.

"Feel okay?"
"Mmmm, yes."
"Disappointed?"
"Why? This is lovely ... the rain, the fire."
"We came for berries, remember?"
"Berries?" she repeated distantly. "OH ... well but this is lovely." And again she began to contemplate the fire, the sap bubbling the end of a chunk of wood, bark ridges turning white and black, flames licking, curving themselves cleverly around the width of the logs.

The steady drone of the rain, the cracks and hisses of the fire resisting the occasional heavy raindrop were foreground sounds, comforting. And from a distance, another sound, insistent and annoying, muddied the air around them; that of a late summer carnival from the town below.

Driving up the mountain road they'd seen the snow fences hastily set up to encapsulate a small carousel and Ferris wheel, various colourful booths and decorated floats. Cars had lined the crossroads and they'd exchanged glances.

It was neither pity nor contempt, but something in between that they felt for those poor back-country blobs for whom a tawdry carnival was a cultural event of significance. It was disco music that competed with those sounds of nature around them, disco blaring on the country air with its meaningless musical neutrality.

He drew her to the place where he'd dragged over the park picnic table, dry and inviting under the tarpaulin strung up between a fortuitous stand of trees. Their checkered tablecloth, and on it the picnic spread; lean sliced ham, the rolls she'd baked, sliced tomatoes, green grapes and red cherries and caviar. Not sturgeon, but caviar anyway, to smooth on toasted rolls. They liked to do themselves well.

Ralph poured the coffee, pushed the cream at her, watched her drop her saccharine in, the hot liquid bubbling back. Everything smelled good, and the sky appeared lighter, the rain began lifting.

There had always been a distance between them which nothing, not the most urgent intimacies seemed to bridge. She was cool, aloof, even while her eyes turned upward to show the whites, perspiration pearling her forehead, her nails raking his back, demanding more. When it was over she turned away from him. He accepted that of her, thought time might change her but now had to face the reality of her distance deepening.

Everyone had to go sometime. And for him, it had been time enough. He should have died long ago. It was only his mean determination to order others' lives in a way that suited him that had kept him alive. Thinking of him forced a sour bile-ish liquid up from some secret place to nauseate Ralph. He drank his coffee and wiped his forehead.

"Feel okay?" He looked at Margaret daintily nibbling a roll, smoothing raspberry jam with her finger back onto the roll, saving it from spilling over to the tablecloth.

"You keep asking!"
"Sorry", he mumbled, turned aside to watch the fire. A steady but slight drip began to wet the middle of the tablecloth; a build-up of rain atop the tar, and water always finds a way ....

It wasn't that funerals depressed him. They did everyone. He'd attended family funerals, had to, felt it his duty to; they'd caused him no great anguish, even his own father's. Just not his, not for any reason he could explain to her, but he'd been quite simply unable to. Mind blank, limbs unfeeling, he'd been unable to function.

Thought he'd find a way to discourage him, drive him away, keep her himself, the jealous old bastard. All those years of intimidation, stepping on eggshells, breathing shallow.

"You look pale..." he said, turning back to her, watching her blond hair dip forward, the tips of both sides almost touch as she leaned toward the roll, sharp white teeth tearing. Then Margaret leaning back, slowly absently, masticating the bread fibres, the bright red of the jam flecking her lips. Feeling his eyes on her, lifting her own and looking at him, hers blue and clear to his brown, anxious.

"You okay?"
"Me ...? Why do you ask?"
"You keep asking me, but you look so ... worried. What's the matter?'

He couldn't talk about it. They'd talk about anything else, reasonably dissect any subject, rationally argue opinion, respect each other's but not that topic. Ah Love, forgive me, I wasn't capable of rising to that occasion, I couldn't eulogize the cretinous sot who, by his own admission; no taunt - sodomized you.

"Love, about your father ... I'm sorry. I just couldn't bear to go, to take part in the whole barbaric ritual ... you know how I feel about it....

"No", she said coolly, her eyes like blue ice now, fixing him. "Tell me, tell me about how you feel, how you felt ...."

But how could he? Tell her of his dreams, her father naked and blue on a marble slab and he with a slender obsidian blade, wielding it like a surgeon, like an Aztec priest, dedicating the portions to the gods of anger, futility, disgust, and revenge? Tell her of the palpitating heart, the purple-sick brain, the ravaged entrails?

He turned away again, to the fire. If he was a believer, he knew that he might find comfort of sorts in imagining the other, tending another fire; he'd been an expert, for years tenderly whispering the embers of enmity to a final enduring hatred.

"Looks like it's stopped." She stood in a clearing, lifting her hands experimentally to no rain, delightedly forgetting the tension, no longer brooding, forgetful like the child she often seemed to be. "First more raspberries", she declared, rummaging in the car trunk for the plastic pails. "Then we'll climb the trail to the blueberries, okay?"

But their shoes soon squelched wetly through to their socks and their pants became drenched; the bright raspberry heads invited from canes amidst thick underbrush that nettled, and so did the tall thistles growing companionably beside the canes.

He watched her bright head bobbing in the brush and worked feverishly to fill his own container before the clouds scuttling above let loose again. Yet soon enough heard the birds begin to celebrate the rain. His back, the top of his head were quickly wet, and almost simultaneously, the mosquitoes began attacking. He walked the thin trail between the canes over to her, bending busily over a burdened cane, saw she was as wet as he was, and said "let's go, Margaret, we've enough for now."

"Soon" she replied, fingers nimbler than his, gently plucking treasure from the canes, leaving him standing there, waiting, no longer eager to pick. He felt anger rising in him, thought of the picnic table, dry and inviting, the fire warm and waiting, and hoped it hadn't gone out.

"Let's go!" he insisted. "Aren't the mosquitoes bothering you? They're eating me alive!"
"I'm rancid" she said, and continued picking.

He turned and slowly made his way back up the narrow pathway, back up to the car, the table, the fire, still burning. Stood there, watching, the vapour rising off his sodden clothing, roasting his front, then his back, waiting for her to come and join him.

But she wouldn't would she - join him, in a hurry. Stubborn, just because he was miserable, wanting to please her yet hating the discomfort. Stubborn, she had that from him, ingrained by now, nothing would change her. Did he want her to be different, more attuned to his wants as he tried to be to hers?

Ah god, no, let her be like she is, indifferent to his needs, willing to let him anticipate hers. Still, his stomach knotted in a hard ball of anger. He felt abused, ill-done by, wanting to strike out at someone, something.

That music! That bloody music snarling its harsh notes in the branches of the trees, flinging its discordance at him. Country boobs, didn't they know any better than to stick it out, their lousy carnival, in the rain?

Where was she?

c. 1980 Rita Rosenfeld
published in Origins, June 1980

Origins, Volume 10, No.2

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

Reflection

We fondle our past
with fingers
of fond memory
echoing regret
at swift passing.

You recall me
soft and round
waiting and eager
that element of danger
of quick discovery
and swift withdrawal
but always there
waiting

and you
see in me still
that other
the one who
lingers back there
dark-haired and nubile
and you smile

here
I am, Love
don't you see me?
This pale reflection
refracting the
purity of youth
is only time
wrinkling the present.

c. 1980 Rita Rosenfeld
published in Origins, June 1980

Canadian Jewish Outlook, February 1980

Herewith, the latest selection from dusted-off published poetry and short fiction, circa 1970s vintage and beyond....

On Human Race
A Humanist's View

From the biological standpoint, the species Homo Sapiens is made up of a number of populations, each one of which differs from the others in the frequency of one or more genes. Such genes, responsible for the hereditary differences between men, are always few when compared to the whole genetic constitution of man and to the vast number of genes common to all human beings regardless of the population to which they belong. This means that the likenesses among men are far greater than their differences.
- Statement on Race: issued by the United Nations Educational, Scientific, and Cultural Organization.


The term 'race' is a misnomer of singular proportions, given the fact that the vast majority of people seem not to realize that there is only one true human race - that of the entire species. Anthropologists use the term 'race' knowledgeably, whereas in its popular usage the word with all its biological implications has become degraded. Among the general population, the terminology and recognition of race has a social, not a biological cast; with decidedly pernicious overtones.

Anthropologically speaking, there are three recognized sub-groupings which fall within the species of man; namely Caucasian, Negroid and Mongoloid. From these three major sub-groupings a plethora of minor groupings identify peoples who, by virtue of a matrix founded in geographical isolation have evolved with specific physical characteristics, culture and society. All other definitions of race are informed and utilized by gross ignorance of the condition of man upon this earth.

Our condition is that we are of one initial stock; that by reason of geographic isolation and gradual adaptation there has evolved a diversity of facades - formed as much by environment as by random genetic change or by direct hybridization as a result of interbreeding. There occur naturally spontaneous random variations in gene frequencies and even the extinction of some, unnecessary genes. Even so, genetic variations between the groupings of people are minor.

People can be differentiated by cultural environment where the effect of cultural isolation will imbue a large segment of a geographic population with readily identifiable traits, ethics and perceptions. It would be more correct to call this group an 'ethnic' one.

Other groups of people are significantly affected by religious teaching and training which in large part may make up the basis for their cultural identification. This is most certainly termed a common 'religion', yet members of that religion may cross ethnic boundaries as well as geographic boundaries. There are, for example, Muslims living in the near and far east as well as in Europe and North America.

Still other large population groupings may be identified strictly by geographic location and this group of people may be termed a 'nation'. Yet within that nation there exists people whose heritage is culturally diverse, whose religious adherence is multifarious. This type of mixture is most commonly seen in the mixture which makes up the Canadian mosaic.

As is readily seen, the above three classifications are not mutually exclusive; a large group may combine a 'nation', yet have within it a diversity of 'religious', leanings and numberless 'ethnic' culturally-induced groupings - none of which should be rightfully called a 'race'.

Character is shaped and informed by immediate environment and that environment is familial, shaped by societal values further shaped by the cultural imperatives current in any geographic area. One may take focus on the American blacks who are a part of the American nation; whom society has traditionally placed in a disadvantaged position; whose culture has been shaped by such societal strictures (originally formulated to justify slavery); whose family structure is much looser than that of the whites among whom they live. This 'looseness' is based upon insecurity, an insecurity which stems from the erroneous assumption that blacks constitute another, more inferior race, than do the whites.

Man's condition is not immutable. Man, the race, has been undergoing genetic changes since he was first recognized as a separate genus, Homo Sapiens (Man the Wise). Physical anthropologists mark the changes in millennia, and even then the changes have been so gradual as to be hardly noticed. But, we are in constant flux. Yet the changes affect all of us. Differences in individuals within the same ethnic groupings are more diverse and pronounced than those which exist between the various ethnic groups themselves.

Unless complete isolation is possible between sub-groupings and genetic material common to that group is never interfered with by outside sources as by another sub-group, then the genetic pool of that particular group remains fairly stabilized and an ethnic group is formed; a group with a common, yet still fluctuating genetic pool. However, even these ethnic groups are continually shifting and in terms of historical 'time' have a limited lifespan.

And even within that group, as for example, the American Indian population before 1500, there existed a population sharing a relatively stable genetic pool, but living in separate enclaves. The genetic pool reached a certain equilibrium and there was a diversity in cultural leanings and linguistics, yet the American Indian did not constitute a specific 'race'.

And there is no such thing as purity of race or sub-grouping, to use the more correct form, since interbreeding takes place constantly within any given society. And it helps to remember that any given society which constitutes a nation is comprised of a number of ethnic groupings, religiously-oriented groupings; minor-groupings of the major groupings of the race of man. For example, it is estimated that fully 70% of all American blacks have white blood, with attendant white genes.

Apart from the fact that traditionally it was seen as permissible for white males to couple with black females (where the reverse was socially taboo), even the blacks themselves are instrumental in changing their genetic pool, by acculturated preference. Black males tend to select lighter-skinned black females as sexual partners. In this way, sexual selection dilutes the darker-pigmented genes and the resulting pool over a great period of time will ultimately mean that the black group situated in America will share the white man's lighter skin tone.

Take, for example, Jews, who are stubbornly considered by an uninformed public to comprise a 'race'. While it is true that the background for many Jews is that of the Mediterranean sub-group, Jews are merely a 'people' or segment of a population having in common a cultural orientation (historical) and/or common religion. There are some Chinese and Blacks who have taken upon themselves to be Jews, adopting the Jewish religion. This does not make them part of a Jewish 'race'.

People often ascribe deplorable social tendencies to particular sub-groupings, which they erroneously term 'races'. It is well to remember that what is permissible, even desirable in some geographic communities is shunned in others. When a people has long become accustomed to viewing certain social practises as normal and quite acceptable, these practises become established as social currency, and when transported into another, alien culture, the practises set these people apart where the resident population have a tendency to disdain little-understood 'racial' attitudes which are in fact, social and/or cultural tendencies.

We are here talking about perceptions. What we perceive is not necessarily the same thing to everyone. Perceptions are informed by experience and background. In other words, if we have been culturally induced to regard taciturnity, public display, acute economy, or extreme gregariousness as undesirable, those exhibiting those traits or habits are distasteful to us, just as the wearers of turbans or saris are conspicuous by their differences and held apart by suspicion. Because in their original environment these habits were seen as natural or fitting, misunderstandings arise engendering a mutual hostility.

Let's have a look at shylocking as adduced to Jews, in another instance of social strictures creating fallacious determinations. For generations Jews were not permitted to own land in Europe, nor to have certain recognized professions. They could not farm, the most common means of livelihood at one point in human history. They were sometimes permitted to become itinerant tradesmen. And they were permitted to 'lend' money; a practise expressly forbidden by the early Christian church to its faithful - which church ironically had itself taken the injunction from Judaic precept.

Jews then, became money lenders, eventually transmuting the practise to banking. But as they were then dealing in a Christian world within an expressly forbidden,church-proscribed practise, they were held to be 'unclean', their livelihood despised and indecent. Hence shylocks, from the immortal Bard's pen, who reflected the temper of his times; hence the term 'jewing' and the Oxford Dictionary definition of Jew as 'money-lender'. An unfortunate misnomer, since the great majority of Jews have always been and will doubtless continue to be, as 'average' material wise, as any society which they inhabit. But all a matter of perceptions, of discrimination informed by ignorance where the apparent is more readily accepted than the actual.

There also exists among sub-groupings physical differences from their common genetic pool which further confuse matters. Where some sub-groupings can readily and genuinely be identified, as where their physical environment has gradually adapted them to their surroundings, i.e., the Pygmy of the African Congo, the Inuit of the far North, where one group has been reduced in size and colour and the second has acquired the genetic code for an 'abnormal' subcutaneous fat layer - so that they may better live in sound ecology with their environments - they are a distinctly characteristic group.

However, most 'racial' identifications are misconceived generalizations. We may think of those inhabiting the Indian continent as forming a distinctive race, yet they do not, for many confused sub-groupings have gone into the whole, and there is, moreover, an artificial sub-structure there of a social nature which will not permit interbreeding between groupings, thus causing an unnatural situation where the caste system has birthed further sub-groupings, with attendant fairly stable gene pools. The uninformed and ignorant outsider claims that 'all Indians look alike'; ergo they must be a single 'race'.

Jews are commonly perceived to be of the Mediterranean type, and some are. Yet so are the Greeks, the Italians, the Portuguese, the Spanish and certainly the Arab populations - and some of all these groups have often been mistaken for Jews. Yet among Jews there is a significantly smaller proportion of physical Mediterranean types than among, for example, Arabs.

In the same token we often conceive of Italians as being dark-skinned and hirsute, yet large groups of Italians are fair-haired and light-skinned and the same can be said for the Spanish - and among the fair-haired segment, there arises a social condition creating a hierarchy among that group. So we have the 'aristocrats' and the 'peasants'. Perceptual differences and their attribution to race have been encouraged for the express purpose of creating a hierarchy, a class of rulers and the ruled within a society, thus supporting the concept of racism.

Ethnic groups share a geographic boundary, often. They share a common culture within the geographic boundary. And most often they share a common religion. Yet the Italians, the Spanish, the French, the Greeks do not each comprise a race, but a nation. And within each nation are groups of people who do not share the same religion, nor the same dialect, nor exactly the same culture.

The human condition is constantly changing, albeit gradually and perhaps some day enough intermarriage within groups will occur to blend and weaken physical differences. Even so, cultural and geographic boundaries may remain. Yet even so, there is but one species.

The fondly-held belief of racists in 'racial' purity is a risible canard; the stronghold of culturally- and intellectually-insecure antediluvians, the substance of whose contention is as ephemeral as gossamer (without sharing any of that substance's beauty). For its purpose is to degrade other human beings.

Intelligence quotient is often used as a tool by which 'race' can be proven to point an individual toward highly-paid skilled employment or underpaid under-skilled employment. I.Q. tests are given across the board, to those from privileged and under-privileged social backgrounds alike. This, despite that we now know pre-natal as well as post-natal deprivation, both nutritional and environmental, leads to atrophying of the brain's potential.

In other words, an intelligence test specifically designed to measure the cerebral capacity of a middle-class group with background leading to middle-class aspirations is given to nutritionally-, emotionally- and socially-deprived groups of people. A tendentious practise; weighting the scale heavily in favour of racist theory of a sub-species of human.

Psychological traits and various endowments of physical and intellectual capacities exist within all groups of people whatever the ethnic background. There is no one group of people in any manner naturally superior to another, trait-wise, intellectually, or with regard to physical attributes.

Nomenclature and semantics become very important when misconceptions based on ignorance, breeding fear and prejudice, often lead the way to savage acts, one man against another. An example of how words, or loose and misunderstood terms can be so erroneous, is the example of the world 'savage'. Anthropologists commonly used that word to refer to primitive peoples. Yet now, the word 'savage' is no longer current; instead the words 'primitive' or 'illiterate' have replaced the 'savage'.

It can be readily understood why, when we recall that Alfred Wallace, an anthropologist-coeval of Charles Darwin (engaged in like studies of natural selection), in the course of his investigations into the source of man shot a black woman who had been sitting in a tree holding an infant (in Malaysia); thinking nothing much more of the incident than that he had mistakenly killed a 'savage' for an ape. The savage, apparently, then being thought nothing more than a more direct link to Homo Sapiens. She was a human being and he, the scientist, reflecting the unfortunate zeitgeist of the times, the true savage.

So let us understand that one cannot denote a group of people as a 'race'. The word itself with all its derogatory connotations has caused untold misery to millions of human beings. We divide 'races' into inferior and superior. We perceive some 'races' as being truly human, and others as merely sub-human. Subtly we do this. So we hardly notice it, but we do. We ascribe to certain 'races' distasteful practises and characteristics. The truth is that all human beings share like or at least comparable aspirations; to fulfill themselves as human beings in all dignity.
The means by which they fulfill their aspirations may differ, but the needs are the same.

We desperately need to understand that our biases regarding race are ill-founded. If some specific characteristics are found to be unappealing, it is well to remember that some which we ourselves share may be unappealing to other segments of a population; more commonly termed 'ethnic' groupings, and not 'races'. Yet, we must learn to accommodate ourselves to each other, to co-operate, to shift over and give some room. After all, this is not a very large planet, this mother Earth, and we are but one family; the human race.

As man advances in civilization, and small tribes are united into larger communities, the simplest reason would tell each individual that he ought to extend his social instincts and sympathies to all the members of the same nation, though personally unknown to him. This point being once reached, there is only an artificial barrier to prevent his sympathies extending to the men of all nations and races. - Charles Darwin, "The Descent of Man", 1874.


c. 1980 Rita Rosenfeld
published in Canadian Jewish Outlook, Vol.18, No.2